MONITOR - Feb 5 - Feb 26 2026
Sophie Auger, Lauren Francescone, Nate Millstein, Feyaz Yusuff
Sophie Auger (b. 1994, Québec, QC) is an artist, designer, and professor working in photography, video installation, and publishing. She creates semi-fictional narratives that question the production, circulation, and perception of images, with a particular interest in the beliefs and superstitions generated by technology. She is the author of Spiral Engineering (Quickbooks, 2024), an illustrated, fictional reverse-engineering textbook that interrogates our relationship with scientific imagery.
Lauren Francescone (b. 1983, New York, NY) is an artist and graphic designer based in Montreal. She is the publisher and designer of Temperatures, a biannual publication about artists working in clay. She has attended numerous residencies, including the Banff Centre (2015), the European Ceramic Workcentre (2020), and Shigaraki Ceramic Cultural Park (2026). In 2024, she presented Timeline, a glass and ceramic installation at the ICinaVirginia Commonwealthth University. She received a BS from the University of Virginia School of Architecture and an MFA from the Yale School of Art.
Nate Millstein (b. 19,96 Brooklyn, NY) received his Bachelor of Arts degree from Bard College in 2018. He is currently an MFA candidate at Mason Gross School of the Arts at Rutgers University, expected to graduate in the Spring of 2026. Select exhibitions include Uncertainty surrounds the holding of things at After/Time collective Gallery, Portland OR, Irrigation at The Reinstitute Gallery, Millerton, NY, TALK LISTEN DOOR at Soft Serve Projects NYC, Thank God we don’t know what we look like at HERE Arts Center NYC, and Burning at Nightclub Gallery,
Minneapolis MN.
Feyaz Yusuff (b. 1990, New York, NY) is an American artist who lives and works in Jersey City, NJ. He received an MFA from Rutgers in 2025. Feyaz is interested in evil, and these paintings emerge from that interrogation. They are like songs about now. The forms in these paintings are portentous, reflecting how things seem to be at this moment; an unceasing march of cruelty and fear.
Sophie Auger, Lauren Francescone, Nate Millstein, Feyaz Yusuff
Sophie Auger (b. 1994, Québec, QC) is an artist, designer, and professor working in photography, video installation, and publishing. She creates semi-fictional narratives that question the production, circulation, and perception of images, with a particular interest in the beliefs and superstitions generated by technology. She is the author of Spiral Engineering (Quickbooks, 2024), an illustrated, fictional reverse-engineering textbook that interrogates our relationship with scientific imagery.
Lauren Francescone (b. 1983, New York, NY) is an artist and graphic designer based in Montreal. She is the publisher and designer of Temperatures, a biannual publication about artists working in clay. She has attended numerous residencies, including the Banff Centre (2015), the European Ceramic Workcentre (2020), and Shigaraki Ceramic Cultural Park (2026). In 2024, she presented Timeline, a glass and ceramic installation at the ICinaVirginia Commonwealthth University. She received a BS from the University of Virginia School of Architecture and an MFA from the Yale School of Art.
Nate Millstein (b. 19,96 Brooklyn, NY) received his Bachelor of Arts degree from Bard College in 2018. He is currently an MFA candidate at Mason Gross School of the Arts at Rutgers University, expected to graduate in the Spring of 2026. Select exhibitions include Uncertainty surrounds the holding of things at After/Time collective Gallery, Portland OR, Irrigation at The Reinstitute Gallery, Millerton, NY, TALK LISTEN DOOR at Soft Serve Projects NYC, Thank God we don’t know what we look like at HERE Arts Center NYC, and Burning at Nightclub Gallery,
Minneapolis MN.
Feyaz Yusuff (b. 1990, New York, NY) is an American artist who lives and works in Jersey City, NJ. He received an MFA from Rutgers in 2025. Feyaz is interested in evil, and these paintings emerge from that interrogation. They are like songs about now. The forms in these paintings are portentous, reflecting how things seem to be at this moment; an unceasing march of cruelty and fear.